Showing posts with label Marc Silvestri. Show all posts
Showing posts with label Marc Silvestri. Show all posts
Wednesday, November 16, 2011
Reviews: Hulk #1, DD #5, Cold War #1, Last of the Greats #1, Aquaman #2, Justice League #3
The Incredible Hulk #1 was better than I expected. Not having read the book in years, I missed out on and don’t understand most of the Red Hulk stuff or what mental state Bruce Banner and the Hulk are in these days. I therefore expected to be confused, but wasn’t, though I’m sure it helped that I recognized the Mole Man’s underground minions. Writer Jason Aaron did a good of job of putting it all together and making sure there was some actual action in a first issue. The art by Marc Silvestri et. al was quite good — definitely Silvestri’s distinctive style but amped up with some nice detail that came through quite well in the inks and was well-complemented by Sunny Gho’s colors. That said, I”m not interested enough in the Hulk to make this a regular read at $3.99 a pop.
Sunday, December 27, 2009
Christmas Comics: The Uncanny X-Men #230 (June 1988)
“’Twas the night …”
Writer: Chris Claremont
Pencils: Marc Silvestri
Inks: Josef Rubinstein
Colors: Glynis Oliver
Letters: Tom Orzechowski
Editor: Ann Nocenti
Editor in chief: Tom DeFalco
When they reprint classic merry mutant tales, they usually omit this one (more on the more popular X-Men holiday stories soon). Perhaps because this tale is tied into the Australian outback era of the The Uncanny X-Men, which is both admired and reviled, depending on who you listen too. This is easily the goofiest X-Men Christmas story, but it’s also not without its charms.
The story begins with the X-Men on a typical training session in the outback town they took over in the previous issue from The Reavers. But Longshot is absent, lured to a room filled with “haunted treasure” that wants to return to the owners The Reavers “liberated” it from. This is a weird idea, that these objects have some kind of sentience and, even more, an emotional attachment to their owners. This is ascribed to Longshot’s power of psychometry, which was an ability outlined in his original 1985 miniseries. Haunted by the pleas of these items, Longshot’s tales prompt the X-Men to try to return every item to its rightful owner.
The ridiculousness of the idea is commented upon extensively in the story — Claremont’s halfway successful technique for selling the idea to an audience most likely too "cool" to take the concept at face value — with Havok and Wolverine noticeably scoffing at the idea. But like most good Christmas stories, the season's good points melt away the skepticism and everyone joins in whole-heartedly. Even Wolverine gets in on the act, wearing a Santa hat and carrying a big bag of gifts over his shoulder — all of which is pretty out of character and most likely not "cool" with the average late 1980s X-Men reader, but it is Christmas.
Writer: Chris Claremont
Pencils: Marc Silvestri
Inks: Josef Rubinstein
Colors: Glynis Oliver
Letters: Tom Orzechowski
Editor: Ann Nocenti
Editor in chief: Tom DeFalco
When they reprint classic merry mutant tales, they usually omit this one (more on the more popular X-Men holiday stories soon). Perhaps because this tale is tied into the Australian outback era of the The Uncanny X-Men, which is both admired and reviled, depending on who you listen too. This is easily the goofiest X-Men Christmas story, but it’s also not without its charms.
The story begins with the X-Men on a typical training session in the outback town they took over in the previous issue from The Reavers. But Longshot is absent, lured to a room filled with “haunted treasure” that wants to return to the owners The Reavers “liberated” it from. This is a weird idea, that these objects have some kind of sentience and, even more, an emotional attachment to their owners. This is ascribed to Longshot’s power of psychometry, which was an ability outlined in his original 1985 miniseries. Haunted by the pleas of these items, Longshot’s tales prompt the X-Men to try to return every item to its rightful owner.
The ridiculousness of the idea is commented upon extensively in the story — Claremont’s halfway successful technique for selling the idea to an audience most likely too "cool" to take the concept at face value — with Havok and Wolverine noticeably scoffing at the idea. But like most good Christmas stories, the season's good points melt away the skepticism and everyone joins in whole-heartedly. Even Wolverine gets in on the act, wearing a Santa hat and carrying a big bag of gifts over his shoulder — all of which is pretty out of character and most likely not "cool" with the average late 1980s X-Men reader, but it is Christmas.
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